half moon
of my face
slides off
and dances down
like wind taunting a leaf
Thursday, October 25, 2012
2008
we liked to think we were adventurous
trail mix
an apple
crackers—
no flashlight or map
we drove out to the trail head
in your navy sedan
mid afternoon sun
coaxing sweat from pores
this desert is something isn't it?
a couple hours in we wonder
Isn't This Supposed To Be A Loop?
the frantic man
noosed walking stick in hand
refused us direction and kept on
mumbling something
about "losing the light"
that can't be good.
in retrospect
maybe we should have followed him—
instead we held tight
to this "loop idea"
as the sun
slowly shriveled
i told you to Run
Run after me—
and you did
until we no longer saw
anything
to run towards
collapsed in dirt
and fear speckled
with coarse grass
and looked up at the stars...
trail mix
an apple
crackers—
no flashlight or map
we drove out to the trail head
in your navy sedan
mid afternoon sun
coaxing sweat from pores
this desert is something isn't it?
a couple hours in we wonder
Isn't This Supposed To Be A Loop?
the frantic man
noosed walking stick in hand
refused us direction and kept on
mumbling something
about "losing the light"
that can't be good.
in retrospect
maybe we should have followed him—
instead we held tight
to this "loop idea"
as the sun
slowly shriveled
i told you to Run
Run after me—
and you did
until we no longer saw
anything
to run towards
collapsed in dirt
and fear speckled
with coarse grass
and looked up at the stars...
from Brooklyn
curled
ribbons of hair
defying orders
mocking you
all the way
from Brooklyn
to Portland, Oregon
there you worked in advertising
long days fueled
by coffee nights
by cocaine
just one screw
in a large timepiece
moving at jet speed
you only ate because it was easy
now the time
to cook makes your skin crawl
forgotten in this forest
anxiety a cheap date
cells reach out
shrivel and pop
like helium balloons
ribbons of hair
defying orders
mocking you
all the way
from Brooklyn
to Portland, Oregon
there you worked in advertising
long days fueled
by coffee nights
by cocaine
just one screw
in a large timepiece
moving at jet speed
you only ate because it was easy
now the time
to cook makes your skin crawl
forgotten in this forest
anxiety a cheap date
cells reach out
shrivel and pop
like helium balloons
Thursday, October 11, 2012
when I was a child
when I was a child
there was a car chase
not suspensefully detached
like in the movies
this was Shove It In Your Face
Press It Into Your Eyelids
real
followed
into the deserted parking lot
cacti stiff
catatonic stars
my father got out of the car—
approaching the one
containing my mother
containing her
like water not yet frozen
in an ice cube tray—
leaving me as witness
as the car
sped for him
his body splayed—
stretched—
anchored—presumed
roadkill
as the car birthed
wings
and fled
there was a car chase
not suspensefully detached
like in the movies
this was Shove It In Your Face
Press It Into Your Eyelids
real
followed
into the deserted parking lot
cacti stiff
catatonic stars
my father got out of the car—
approaching the one
containing my mother
containing her
like water not yet frozen
in an ice cube tray—
leaving me as witness
as the car
sped for him
his body splayed—
stretched—
anchored—presumed
roadkill
as the car birthed
wings
and fled
jazz
he can no longer play the guitar
fingers shredded
carelessly mended
tendons mummified
fibrotic artifacts
he brings his own music—
jazz
lies down on the table—
surrendering
cradling
the micro system
of his ear
intention
on the tip of each needle
I spin them in
heart
kidney liver
lung
I Felt That Shoot Down My Entire Body
his organs light up
like a child's keyboard
fingers shredded
carelessly mended
tendons mummified
fibrotic artifacts
he brings his own music—
jazz
lies down on the table—
surrendering
cradling
the micro system
of his ear
intention
on the tip of each needle
I spin them in
heart
kidney liver
lung
I Felt That Shoot Down My Entire Body
his organs light up
like a child's keyboard
be here now.
stenciled—spray painted
"be here now"
words confined on asphalt
pulling space and time like taffy
"be here now"
words confined on asphalt
pulling space and time like taffy
Thursday, October 4, 2012
I love art museums
the cold negative space
patient and yielding
paint and scrap
metal—fabric and—
charcoal lurch
from the drywall
my stomach flips
backward grabbing
at the base of my skull
grainy, sepia ink
the face of an old woman
scalloped flesh
pillows around hollow eyes
I lean into those eyes
collecting stories
clipped to strings
and in that moment
just before I am irretrievable
a hand expands
over the back of my shoulder
and guides me
on to the next room
patient and yielding
paint and scrap
metal—fabric and—
charcoal lurch
from the drywall
my stomach flips
backward grabbing
at the base of my skull
grainy, sepia ink
the face of an old woman
scalloped flesh
pillows around hollow eyes
I lean into those eyes
collecting stories
clipped to strings
and in that moment
just before I am irretrievable
a hand expands
over the back of my shoulder
and guides me
on to the next room
a crowd was watching
a crowd was watching
speckled infant bird
twitching in its final moments
stunned by Nature's
brutal honesty
speckled infant bird
twitching in its final moments
stunned by Nature's
brutal honesty
the small beauties of ordinary things
ripped seams
must be reunited
disheveled flailing threads
reach out for the others
something like that scene in Titanic
icy fingers—"Never Let Go"
only significantly less tragic
responding to their cries
I sprint over with needle
and thread frantically
weaving back
and forth
stabbing
calloused fingers
the tarnished needle
a reluctant hero
panting out of breath
must be reunited
disheveled flailing threads
reach out for the others
something like that scene in Titanic
icy fingers—"Never Let Go"
only significantly less tragic
responding to their cries
I sprint over with needle
and thread frantically
weaving back
and forth
stabbing
calloused fingers
the tarnished needle
a reluctant hero
panting out of breath
locked
like outlines
of hearts
not yet colored in
the frame exists
smooth—resilient
yet fragile
like a ribcage lacking
its viscera
bones locked awaiting
the day
its soft peach-fuzzed
feathered fowl
returns
perches
and gazes
from the inside out
of hearts
not yet colored in
the frame exists
smooth—resilient
yet fragile
like a ribcage lacking
its viscera
bones locked awaiting
the day
its soft peach-fuzzed
feathered fowl
returns
perches
and gazes
from the inside out
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